In this interview with Franca Simpson, Founder and Director of Calisi Press, we learn about how it feels to throw caution to the wind and start a small press just for Italian women writers in translation.
In this guest post, Jacqueline Saville describes how her native West Yorkshire and other areas of Northern England have influenced her writing. She muses on the use of accents, the trope of the angry working man as well as ways of evoking northern-ness in characters without designating their setting.
On my recent trip to Bhutan, Linda Leaming’s book Married to Bhutan helped me recognise and appreciate some of the fascinating quirks of Bhutanese culture, which otherwise might have passed me by. Linda is a freelance writer, the author of two books about Bhutan and she runs tours of Bhutan.
In this guest post, Tam May explores the influence of San Francisco in her life and her writing. She is the author of the recently published collection Gnarled Bones and Other Short Stories. Each story in the collection is set in San Francisco.
In this guest post, Claire Patel-Campbell describes how she drew on childhood memories of Wisconsin to create a setting for her novel that explores the dark underside of the supposedly most innocent of places: small town Wisconsin. Claire’s novel Abernathy is crowdfunding at Unbound, where you can make a pledge to see it published.
In this guest post, Helen Taylor muses on the gritty details of representing Glaswegian dialect in her novel about Caravaggio’s mysterious re-appearance in this most unlikely of places. The Backstreets of Purgatory is currently crowdfunding at Unbound, where you can make a pledge to help her publish it.
Prior to the twentieth century, there were no immigration laws. People were free to live and work where they wanted when they wanted. Mary Wollstonecraft and Mary Shelley took full advantage of their ability to live and travel throughout Europe and their work would not be so interesting or challenging if they hadn’t.
Mary Shelley was the first in a long line of nineteenth-century literary writers to depict the Arctic and to do so with the intention of interrogating male networks of science, camaraderie and control. I want to find out more about how she became familiar with these networks outside the conventional assumption that she learned all her science from Percy Shelley and his colleagues.
Of all the Brontë novels, Wuthering Heights is most dedicated to depicting the Yorkshire Moors and their influence on the people that live in them. Victorian reviewers accused Emily Brontë of representing a repulsive spot populated with repulsive people but her depiction of the people and places of Yorkshire are actually very balanced, representing both the positive and the negative.
William Morris was fascinated with Iceland for much of his life, spending many years studying Icelandic and collaborating on translations of the sagas. In 1871 and 1873, when Morris trekked through the interior of Iceland, he experienced intense episodes of wonder that would come to influence his thinking for the rest of his life.