In this guest post, Jacqueline Saville describes how her native West Yorkshire and other areas of Northern England have influenced her writing. She muses on the use of accents, the trope of the angry working man as well as ways of evoking northern-ness in characters without designating their setting.
In this guest post, Claire Patel-Campbell describes how she drew on childhood memories of Wisconsin to create a setting for her novel that explores the dark underside of the supposedly most innocent of places: small town Wisconsin. Claire’s novel Abernathy is crowdfunding at Unbound, where you can make a pledge to see it published.
In this guest post, Helen Taylor muses on the gritty details of representing Glaswegian dialect in her novel about Caravaggio’s mysterious re-appearance in this most unlikely of places. The Backstreets of Purgatory is currently crowdfunding at Unbound, where you can make a pledge to help her publish it.
Prior to the twentieth century, there were no immigration laws. People were free to live and work where they wanted when they wanted. Mary Wollstonecraft and Mary Shelley took full advantage of their ability to live and travel throughout Europe and their work would not be so interesting or challenging if they hadn’t.
Mary Shelley was the first in a long line of nineteenth-century literary writers to depict the Arctic and to do so with the intention of interrogating male networks of science, camaraderie and control. I want to find out more about how she became familiar with these networks outside the conventional assumption that she learned all her science from Percy Shelley and his colleagues.
Of all the Brontë novels, Wuthering Heights is most dedicated to depicting the Yorkshire Moors and their influence on the people that live in them. Victorian reviewers accused Emily Brontë of representing a repulsive spot populated with repulsive people but her depiction of the people and places of Yorkshire are actually very balanced, representing both the positive and the negative.